Not so Beau

January 21, 2010 at 5:02 pm | Posted in Jesse | Leave a comment
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So I figured out a system that keeps me from forgetting what albums I’ve listened to in between each post- digital stickies. I just write down what I’ve listened to as I go along, and then clear it when the next post goes live. Genius

What’s not so genius was “Triangle” by The Beau Brummels. I mean, they weren’t terrible, but there’s definitely a reason I’d never heard their name before. They had an interesting diversity of style, and they seemed pretty experimental, but they just weren’t that great, and the album just kind of fell flat for me.

Two albums I really enjoyed recently were the Velvet Underground’s “Velvet Underground & Nico,” and Simon and Garfunkel’s “Bookends.” Velvet Underground just have that groovy sixties sound, and carry it so well. S&G harmonize, and if I’ve learned anything about myself it’s that I love harmonizing, so damn well, and again Paul Simon is one hell of a poet.

Listening to Johnny Cash’s “Live at Folsom Prison” made me really appreciate live albums, which I wasn’t so much a fan of before. Johnny’s performance is crisp and near perfect, but there was also so much personality in his banter with the audience, their reaction to parts of his songs, him talking in the middle of songs and the prison announcements he reads throughout. It’s also full of great Johnny Cash music that I didn’t know before (mainly because they weren’t on the greatest hits album I got from the library). On the song “Jackson,” a duet with June Carter (not yet June Carter Cash), June’s voice sounded to me like it never had before, and she really had this awesome fire in her belly that made the song so much more honest.

And of course, I enjoyed the smooth jazz of Coltrane. I listened to “A Love Supreme” and was bobbing my head along with the beat.

I’m wrapping this post up with “Black Monk Time,” by the Monks, which I’m listening to right now. It sounds kind of like a watered down mix of the Doors and the Rolling Stones, and although I’m not hating it, I’m not particularly enjoying it. That may be because I’m not always into punk, and even though I liked the proto-punk Sonics, the Monks just aren’t hitting my punk nerve.

I feel the Earth move…

January 11, 2010 at 11:37 pm | Posted in Jesse | Leave a comment
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…because I listened to Carole King’s “Tapestry” earlier today, and THAT was the first track.  The album was really strong, it also had a timeless feel because King’s sweet voice and songs felt like they’d be right at home among today’s lady crooners, there was really nothing dated about “Tapestry.” The album started strong, and definitely finished strong with “(You Make Me Feel Like) A Natural Woman.”

In other listening:

Last night I wound down to Phil Spector’s “A Christmas Gift For You,” which, as far as Christmas albums go, is a pretty good one. Interesting fun fact, the album tanked because it had the unfortunate timing to be released on the same day that JFK was shot, and was a total flop. It’s lasted though, and Beach Boy Brian Wilson said it is his favorite album (THANK YOU WIKIPEDIA!!).

I also took a listen to “Here Are the Sonics” by the Washington (state) garage-rock band, the Sonics. Great proto-punk album with some really solid covers including Chuck Berry’s “Roll Over Beethoven,” and “Money (That’s What I Want),” by Barrett Strong, two songs both covered by the Beatles on “With the Beatles.” They seem to be a popular cover for breakout records, and the Sonics definitely sounded good on those two, as well as “Good Golly Miss Molly,” and some of their originals on the album.

Speaking of the Beatles, I tackled my second Beatles album on the list, “A Hard Day’s Night.” I don’t think anything else has to be said about that other than, much as I expected, I thouroughly enjoyed it. The other few albums I hit up today:

41. Stan Getz and João Gilberto – “Getz/Gilberto”

198. Cat Stevens’ “Tea for the Tillerman”

371. “The Stranger,” by Billy Joel, which made me think of entitling this post “[insert long whistle solo here].” Interesting gospely sound towards the end of the album which I never really expected from Billy Joel, but it sounded good.

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